I had an inheritance from my [grand]father,
It was the moon and the sun.
And though I roam all over the world,
the spending of it is never done.
~Ernest
Hemmingway, For Whom the Bell Tolls
(Artwork by A.L. Childress - year of creation unknown) |
My friend Tim
took one look at her hanging on my wall and said in his most dramatic, southern drawl, “Well she’s nothing but a whiskey
whore…” summing up the scantily clad woman reclined against the sofa with a
half-empty bottle of booze on the floor in front of her; and so she became
known around our house. But to my
grandfather, she was an erotic gem; painted on a canvas torn from an old World
War II military jeep and hidden beneath a bland landscape painted in gray,
given to my grandfather as collateral for a $2 loan he made to the artist after
the war.
For years the
Whiskey Whore had been concealed beneath that drab landscape, stashed in the
basement of my grandfather’s house. Then
one day as we discussed art, I confided that many pieces in my personal collection
were erotically inspired from cultures around the world. He couldn’t resist the temptation to share
his secret. “There’s an erotic painting under there…” he whispered, pointing to
the dull gray landscape. I was certain that
I had misunderstood.
But I
hadn’t. Eager to share his treasure, my
grandfather had placed the framed painting face down on the table and removed the
back with a screwdriver, gently pulling the layers of canvas apart to reveal
the vibrant Whiskey Whore underneath what appeared to be so dull and lifeless. That’s when he told me the story of how he
had won her by default for an unpaid debt.
He gave me the
painting that day; he made me carry it out the back door, up the hill and round
the house to my car so that my grandmother wouldn’t see. But she had been looking out the kitchen
window as I schlepped through the yard with the painting tucked under my arm
and she knew straight away what I was hiding.
A bit of drama followed: “Why Karl Mason! What kind of grandfather gives a painting
like that to his granddaughter? I’ve
never heard of such!” Grandpa calmed
her down as only he could while I quietly placed the painting in my car. We never discussed it again.
Yet this
controversial work of art has become so much more to me than paint on
canvas. It reminds me of the many layers
of life waiting to be revealed—the vibrant colors of the soul—and the gentle
wisdom my grandfather shared with me so freely in the time we spent together. And though I’ve traveled the world and discovered
my own great fortunes, this simple painting on tattered canvas hangs above our
fireplace as a gentle reminder of the depth and breadth that is life.
It has also
become a metaphor for remembering what matters most—is it the
painting or the story behind the painting?
As my sweetheart reminds me from time-to-time when I get caught up in
the chaos of life: Don’t forget the Whiskey Whore!